Vienna Imperial Vst Torrent Full Set Of

Therefore the Vienna Imperial remains flexible and can be placed easily in any virtual environment you may choose.

I go to their library first every time I create an orchestral template when Im beginning each film I score.

I recommend this library to anybody getting into film scoring.

The Basic View of the user interface lets you choose between three recording positions (close, player, and audience).

The Advanced View gives you quick and easy access to more control options such as convolution reverb, EQ, pedal noises, sympathetic resonances, stereo width, MIDI sensitivity and more.

But dont get fooled by the slick interface under the hood is a new proprietary piano engine that has been specifically designed to drive this massive amount of sample data and processing power.

And when all is said and done, it boils down to how it sounds.

Dare we say, the Passion of the Grand has never been more real.

The Vienna Imperial Collection is not divided into Standard and Extended Libraries like other Vienna Instruments Collections.

Vienna Imperial Vst Torrent Full Set Of

The Standard package includes the full set of samples along with the software instrumentengine.

The Library contains 500 GB of uncompressed sample data in 44.1kHz24-bit.

Due to a specifically developed optimization process, the Vienna Imperial engine decompresses the samples in real-time, so that they take up only 50 GB of space on your hard disk.

It plays those recorded notes absolutely identically using solenoids installed under every key.

Far exceeding the limits of any other system, the CEUS measures the velocity of the hammer on its way to the string just before striking it (a distance of just 0.15) with an accuracy of 0.0001 milliseconds, and even records and exactly reproduces the key movements after every strike.

Up to 100 velocities were recorded per key and playing technique, i.e., with and without pressing the sustain pedal, and alternatively with the soft pedal down.

There are simply no audible steps between the singular velocity layers, and every single key has its own authentic velocity curve.

These precise recording techniques would have been impossible without Bsendorfers CEUS technology.

No human pianist, no matter how skilled, would be able to play 100 evenly spaced velocities from pianissimo to fortissimo, not to mention playing them consistently across all playing techniques such as sustain pedal or soft pedal down.

In particular, the releases of very short notes, with lengths between 100 and 1,000 ms, were recorded in subtly gradated steps, because in this range the length of each held note most affects the volume and sound of the release.

Therefore the Vienna Imperial can reproduce release sounds very authentically, most audibly when playing short staccatos in the lowest range.

There are two variants, sympathetic resonances of individual strings (pedal-up) and of all non-damped strings (pedal-down).

The first case covers the overtone resonances of each individual string reacting to other keys being played.

An algorithmic solution recreates what happens in a real piano, based on a bank of carefully tuned resonance filters.

The amount of this resonance can be adjusted with the Sympathetic Resonance parameter.

Micing.